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・ Arts education
・ Arts Education Policy Review
・ Arts Educational Schools, London
・ Arts Engine
・ Arts et Métiers
・ Arts et Métiers (Paris Métro)
・ Arts et Métiers ParisTech
・ Arts Etobicoke
・ Arts Extra
・ Arts Faculty, Universidad de Chile
・ Arts festival
・ Arts First
・ Arts Foundation of New Zealand
・ Arts Guild Theatre (Greenock)
・ Arts Horizons
Arts in Atlanta
・ Arts in Australia
・ Arts in education
・ Arts in Karur
・ Arts in Marrakech (AiM) International Biennale
・ Arts in Minneapolis
・ Arts in Póvoa de Varzim
・ Arts in Rome
・ Arts in Seattle
・ Arts in Second Life
・ Arts in Upstate New York
・ Arts Initiative KNIE
・ Arts Initiative Tokyo
・ Arts integration
・ Arts journalism


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Arts in Atlanta : ウィキペディア英語版
Arts in Atlanta

The arts in Atlanta are well-represented, with a particularly prominent presence in music, fine art, and theater.
==Music==
(詳細はcountry music, which was brought to the city by migrants from Appalachia. During the countercultural 1960s, Atlanta hosted the Atlanta International Pop Festival, with the 1969 festival taking place more than a month before Woodstock and featuring many of the same bands. The city was also a center for Southern rock during its 1970s heyday: the Allman Brothers Band's hit instrumental "Hot 'Lanta" is an ode to the city, while Lynyrd Skynyrd's famous live rendition of "Free Bird" was recorded at the Fox Theatre in 1976, with lead singer Ronnie Van Zant directing the band to "play it pretty for Atlanta."〔(The Robesonian, Nov. 7, 1976, “Rock’s Top Southern Sound Viewed as Lynyrd Skynyrd” )〕 During the 1980s, Atlanta had an active Punk rock scene that was centered around two of the city’s music venues, 688 Club and the Metroplex, and Atlanta famously played host to the Sex Pistols first U.S. show, which was performed at the Great Southeastern Music Hall.〔(, “Atlanta punk! A reunion for 688 and Metroplex”, Scott Henry, Creative Loafing, 10/1/2008 )〕 The 1990s saw the birth of Atlanta hip hop, a subgenre that gained relevance following the success of home-grown duo OutKast; however, it was not until the 2000s that Atlanta moved "from the margins to becoming hip-hop’s center of gravity, part of a larger shift in hip-hop innovation to the South."〔(John Caramanica, "Gucci Mane, No Holds Barred ", ‘‘New York Times’’, December 11, 2009 )〕 Also in the 2000s, Atlanta was recognized by the Brooklyn-based ''Vice'' magazine for its impressive yet under-appreciated Indie rock scene, which revolves around the EARL in East Atlanta Village.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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